![]() It’s an unusually combustible equation: Infuriate + Inspire = Ambivalence. What makes Moore so compelling is that he has a cultural magnetism that seduces us while simultaneously arousing our suspicion. A walking inspiration for op-ed page pieces arguing the merits of his latest expose, Moore has, as Clifford Odets once said of Orson Welles, “a peculiarly American audacity.” Like Bono, Spike Lee and George Clooney, he occupies that amorphous space in the pop culture given over to bold-faced names whose activism is indistinguishable from their celebrity. Half comedy, half muckraking horror film, “Sicko” offers testimony from regular folks who’ve had ruinous encounters with cold-hearted healthcare providers as well as a Moore-led pied-piper tour of countries whose healthcare systems appear shockingly better than ours.Īt the center of the film, as always, is Moore. healthcare system, the film opened Friday in limited release to largely admiring reviews and a warm reception at the box office. A lightning rod for controversy, a canny self-promoter and a gifted filmmaker, Moore has been hard to avoid in recent days as he’s crisscrossed the country beating the drums for “Sicko,” popping up everywhere from “The Daily Show” to downtown L.A.’s skid row, where he hosted a “premiere” of the film.Ī devastating dissection of the pitfalls of the U.S. ![]() But no one casts a weightier shadow in the cultural zeitgeist than Michael Moore. IN Hollywood these days, burly guys like “Knocked Up’s” Seth Rogen have all the heat. ![]()
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